

Wild dogs
by Eva-Maria Benavente Dahlin
after Åsnesommar , a novel by Andrea Abreu
© Alessandra Sanguinetti/Magnum Photos/TT
“Those two girls are like the little yogurts in the store – they stick together.”
Isora always calls her best friend Shit "because shit is beautiful and gorgeous like the mists around the pine trees"
Both girls live in a village on an island high in the mountains, far above the sun-drenched beaches of tourists. Isora's mother died when she was little and Shit's parents work hard in tourist hotels in the south and are never home.
Like two enfants terrible, Isora and Shit roam the village during the day and are invited to eat at the village old women's. When they've eaten their fill, they stick the garden hose up their butts to shit – it's good to shit under pressure, because then you become as thin as a bone. When everything starts to shake like when the earth warns of a volcanic eruption, it's probably only Isora and Shit who rub themselves. They dream of going to the sea where they've never been, but the old women just say: "What are you going there to do? The sea is the devil, the sea is the hole itself". Then the old women make the sign of the cross over and over: "Protect me, if one girl throws herself off a cliff, the other will jump after her"
The performance is based on Andrea Abreu's acclaimed debut novel Åsnesommar, depicting a symbiotic friendship in an absurdist borderland between children and adults. We move seamlessly between the girls' inner and outer worlds and portray both crude fantasies and brutal reality and romantic dreams. As a lone actor, Frida Beckman portrays the entire world of Shit and Isora. With the help of dolls and objects, a dark and grotesque "coming of age" is embodied for adults, where the dolls give voice to the loneliest time of childhood.
Game date 2026
Studio Potato Malmö
Thursday, March 26 at 7 p.m. Premiere
Saturday, March 28 at 7 p.m.
Sunday, March 29 at 3 p.m.
Monday, March 30 at 7 p.m.
Tuesday, March 31 at 7 p.m.
Wednesday, April 1 at 7 p.m.
Wednesday, April 8 at 7 p.m.
Thursday, April 9 at 7 p.m.
Friday, April 10 at 7 p.m.
Saturday, April 11 at 7 p.m.
Sunday, April 12 at 3 p.m.
Wednesday, April 15 at 7 p.m.
Thursday, April 16 at 7 p.m.
Friday, April 17 at 7 p.m.
Saturday, April 18 at 7 p.m.
Tour Theatre Stockholm
Thursday, May 7 at 7 p.m.
Friday, May 8 at 7 p.m.
Saturday, May 9 at 7 p.m.
Sunday, May 10 at 4 p.m.
The performance is approximately 2 hours and 15 minutes long including a 20 minute intermission.
The foyer opens 30 minutes before the start of the performance.
Contains strong language and depictions of violence. Recommended for ages 15 and up.
There is theatrical smoke and incense in the performance.
Studio Potato is accessible.
Email info@studiopotato.se for more information about availability and questions about your visit to Studio Potato.
If you are going to visit Turteatern in Stockholm, you can read here instead.
Participating:
On stage: Frida Beckman
Voices: Angela Kovács, Cecilia Nilsson, Odile Nunes,
Björn Elgerd, David Rangborg
Idea & direction: Agnes Rosenberg
Puppets, set design and costumes: Johanna Mårtensson
Lighting design: Johanna Svensson
Composition: Anna Sóley Tryggvadottír
Driving technician: Amanda Lebert
Voice recording: Linnéa Talp
Props: Julia Steinbach
Set design assistant : Mina Arnqvist*
Production : Johanna Mårtensson, Mina Arnqvist, Julia Steinbach, Oscar Lara, Katarina Carlqvist, Agnes Rosenberg, Ewa Gawlinska, Nicole Renard, Jonas Bengtsson, Petronella Runwall**
Graphic design : Mattias Broberg/Mani
Producer : Agnes Rosenberg
Thanks to: Walter Berge, Mattias Jonsson, Jenny Bjärkstedt, Torulf Wetterrot, Skilla Al-Ghussein, Linn Ahlgren, Olle Svanfeldt, Lumor
Studio Potato: Thomasine Boris-Möller, Adrian Kautsky
Turteatern: Siri Nyke, Josef Gordon-Moberg, Marie Nikazm Bakken
Dramatization Eva-Maria Benavente Dahlin
based on the novel Panza de Burro by Andrea Abreu
translated by Hanna Nordenhök
Photo © Alessandra Sanguinetti/Magnum Photos/TT
*craftsman apprentice Leksand Folk High School
** internship Fridhems folk high school
Publisher: Colombine Teaterförlag, Nirstedt/literatur & Casanovas & Lynch Literary Agency
Contributors: The Swedish Arts Council, Malmö City, the Swedish Authors' Fund and Region Skåne.
Other music in the performance:
When You Return - Adventure
Truly Madly Deeply - Savage Garden
Review quote:
"Go and see!"
"Wild Dogs" is based on the novel "Donkey Summer" by the Spanish author Andrea Abreu. In Eva-Maria Benavente Dahlin's dramatization, it becomes a rapturous and enjoyably vulgar play about being in the state between child and adult."
"The only actor in the production is the wonderful Frida Beckman, who gives the two dolls unique personalities.""[...] despite all the darkness, this is a fun play! The jargon is invigorating, the girls' actions completely absurdly stupid but also completely logical. Everything is constantly on the edge. And even though the plot is driven forward by two dirty dolls without facial expressions, it is easy to imagine the foggy, dirty landscape they move in. Their feelings and thoughts, their shame and desire. When the performance is over, flowers are handed out after all. Everyone involved deserves all the roses they can get."
-Sara Berg, Sydsvenskan
"The book [Åsnesommar] has now been dramatized into "Wildhundar" and has become a magically intense depiction at Malmö Puppet Theatre under the direction of Agnes Rosenberg. On stage there is only one actor, Frida Beckman, who in tight, focused play brings to life an ensemble of puppet characters entangled in a culturally and socially paralyzing environment."
"The staging uses simple means to convey how people, animals, earth and nature are deeply intertwined. Isora and Shit are not unlike the wild dogs in papier maché that frolic around and whose barking we hear on top of Anna Sóley Tryggvadottír's suggestive compositions."
"Frida Beckman is empathetic, cheeky and hilarious."
- Theresa Benér, Swedish Democratic Party
"The exquisite Frida Beckman plays every role in this gem about two girls in their early teens who eat with their hands, burp, vomit and run around the village like wild dogs." "Anyone who thinks that girls in their early teens can't carry demonic powers hasn't seen these dolls masturbate until a raging volcanic eruption."
- Kristina Lindquist, DN
"It is poignantly beautiful to see Wild Dogs. The performance as a whole leaves me richer in what it means to be a friend and to grow up. There is a weight to this production that does not feel forced or exaggerated. The performance is more than two hours long but it feels like a few minutes. You will not regret seeing Wild Dogs by Malmö Puppet Theatre."
- Dante Wiechel, Kulturbloggen
"Portraying this eruption of girls' emotions and life-changing situations is difficult – but Malmö Dockteater has succeeded in something extraordinary, again."
- Margareta Flygt, The Worker
Press
Press contact Agnes Rosenberg
Performance photo: Erik Holmström
Here you can download high-resolution press images.
























